I have spent the past few days secluded in my house because of “the wet”. The rain in Illinois is relentless, keeping me from swimming at Centennial Beach, or riding my Cannondale down the prairie path next to the river. It is understandable how the weather can drive people to distraction; the drought in The Dry, set in fictional Kiewarra in Australia, presents as a character itself. You can feel the heat pressing down on you from every page, as well as the despair which accompanies it.
Luke lied. You lied.
These two lines repeat throughout the book, drawing me in, as I want to know what Luke and his friend, Aaron Falk, lied about. Luke can never tell, because he has been found killed, along with his wife and young son, in the very first pages. It is assumed, at first, that Luke took his life after killing his wife and son. But, why would he leave baby Charlotte crying in her crib? Why were the cartridges Remington, and not Winchester as Luke’s gun used? Too many things point to the possibility that Luke did not, after all, commit the murders everyone in the town believes he has.
Aaron has come to the funeral in his former town at the insistence of Luke’s father, and he stays to uncover the murders of Luke and his family. It seems that each person in Keiwarra has a heavy load. For one thing, there is no money. The drought is killing the crops, killing the income, killing the hope and incentive in an already small and struggling town. Some of the people have turned to alcohol, or gambling; others are simply existing. But, most of them aren’t without suspicion. For there is another murder, of teenaged Luke, Aaron, and Gretchen’s friend, which is also shrouded in blame.
Aaron and his father left Keiwarra twenty years ago, unable to bear the accusations that they had a hand in Ellie Deacon’s, drowning. Ellie lived with her abusive father, Mal Deacon, and her cousin, Grant, under increasing strain which her mother left for her to endure alone. But, when her body was pulled sodden from the dark water, the reasons for her death were never clear. We only know that neither Luke, nor Aaron, would turn from the alibi that they were together on the day she died.
Jane Harper took me through the town, the people, the murders, with such carefully crafted details that I never once felt manipulated. I never once questioned a loose thread; they weren’t to be found. Nor, did I suspect the turns the story would take near its conclusion. It is no wonder, then, that her book has the following recognition and awards:
2018 BRITISH BOOK AWARDS
Crime and Thriller
Book of the Year
2018 BARRY AWARDS
Best First Mystery
2017 UK CRIME WRITERS’
ASSOCIATION AWARDS
Gold Dagger for
Crime Novel of the Year
2017 SUNDAY TIMES
Crime Book of the Year
2017 PRIX COGNAC
AWARD (France)
2017 ABIA AWARDS
Book of the Year
Fiction Book of the Year
2017 INDIE AWARDS
Book of the Year
Debut Fiction
Book of the Year
2017 AMAZON
Best Mystery and
Thriller Novel
2017 GOODREADS
CHOICE AWARDS
Best Mystery Thriller
Best Debut
2017 NED KELLY AWARDS
Best First Fiction
2017 DAVITT AWARDS
Best Adult Crime Novel
Readers’ Choice
(Thank you to my friend, Lesley, who brought it to my attention a few years ago.)